"BIZNES meble.pl" international 1/2018

technology X glass in interiors 90 BIZNES meble.pl [ international edition 1/2018 G lass is a specific material, there is no style that it does not fit in. It is valued not only for its visual qualities, but also for pro- perties that cannot be seen at first glance. Glass fits perfectly to the minimal- istic, modern interiors and it should be admitted that this style is currently the most popular. Still, there is absolutely no problem in using it in an industrial or glamorous interior. The best understanding on the matter have professionals who work on interior design every day. REMEDY FOR EVERYTHING Agnieszka Augustynowicz, architect, designer, asked about the versatility of glass applications in the interior, answers that it results mainly from its properties, primar- ily such as transparency and excellent resistance to chemi- cals. It has many characteristics of other materials, but the transparency is distinguishing – emphasizes Agnieszka Au- gustynowicz. – Proper treatment, e.g. hardening, provides many other additional features. In the interiors, and not only, it creates a physical, but not an optical barrier – which gives spaciousness. Agnieszka Polkowska, Key Account Manager at Studio Prostych Form, says there are many factors that causes glass to be used more often and more boldly in the interiors. One of them is easy access to any news from the world of design. We are getting more and more familiar with the possibilities offered on the market – there are plenty of them – and we are Increasing application possibilities of glass in interior design makes the material became well established in Polish houses, flats and offices. It is used not only in kitchens and bathrooms, but also in lounges, bedrooms and anterooms. Glazing has also become popular, separating the different zones of the interior. Thus, glass is becoming more and more important. Glass universalism A n n a S z y p u l s k a Modern glass cupboard for wine, porcelain and glass storage, Studio Prostych Form.